Baudelaure and Mallarme

Poems are limitless, infinite and timeless. They exist in forms that we aren’t aware of. They comment on emotions that we haven’t felt yet. They talk about events that we haven’t yet seen and those that won’t ever occur. Various poets over the centuries have attempted to modify the very form of poetry. Two examples of such poets are Charles Baudelaure and Stephane Mallarme. Conventional poetry has been predefined and perhaps even redefined over time to read a certain way and contain some degree of rhythm. However, there have been poets who have attempted to reinvent the form of poetry and have even achieved success in doing so. Poetry at times has fallen victim to the writings of poets such as Charles Baudelaure and Stephen Mallarme who, to an extent, have been able to redefined poetry in an unconventional way.

The Spleen of Paris, written by Charles Baudelaure is a significant piece of literature. The Spleen of Paris is an unconventional form of poetry in more ways than one. It contains 51 short prose poems. These poems are in no particular order and contain no beginning nor any end. These poems, are very similar to actual conversations, hence the aspect of unconventionality applies almost immediately. As these poems resemble conversations and such, rhythm is not present either. Lack of rhythm also adds to the idea of an attempt to reformulate the art of poetry and questioning its very form. Baudelaure extended poetry implying that poetry can now be allowed to imitate prose. It is apparent that Charles Baudelaure attempted to reformulate the art of poetry and was successful to a certain extent, thereby, giving meaning to the term prose poems.

A Throw Of Dice, written by Stephane Mallarme is another example of an unconventional form of poetry. Mallarme used topography, page design and incorporated that into his poem. In a sense, he used the spaces in between the lines of the poems to separate time and his thoughts. He used his tone, syntax and diction in conjunction with the page layout of the poem to enhance the affect of his words upon the readers of the poem. This was an extremely unconventional method of writing poetry and had not been seen before, hence it suggests that Mallarme, as Baudelaure before him, had accomplished for topographical poetics what Baudelaure had done for prose poetry.

Poetry cannot be defined or even classified. It can however, be subject to further changes. Both, Baudelaure and Mallarme had great influences on poetry. Baudelaure changed both, the way a poem should read like and look like. Poetry had always been in different forms of poetry, but never prose. Baudelaure changed the look of poetry where he made it acceptable for poetry to look like a simple conversations. He also made it acceptable for poetry to read like a conversation, an aspect of poetry that had not been exposed prior to Baudelaure.